Highlights include his first meeting Bernie Taupin, his lyricist, his first performance in L.A., his meeting his manager, uncovering his sexuality. All told in a flashback form from rehab, which only become apparent as the movie continues.
In contrast to Bohemian Rhapsody, that movie plays it a bit more straightforward. Music is rolled out in general release order. Here there's more of a dreamlike quality and the music is chosen for what it brings to the scene, not when it was really released. It works well.
* * * * *
In The Producers (2005), there's a number called "Make It Gay". The filmmakers here certainly took that to heart so consider that as part of the R rating.
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