Side Effects

Halfway through this film, I whispered "This is just like Traffic" - another Steven Sonderberg film.  Helpless young women gets trapped in a web of lies and major forces.  Angry white man tries to rebel against the system.  Where's Michael Douglas when you need him?

Instead of the illegal drug trade, we have here the legal drug trade, the Big Pharma of depression drugs.  Rooney Mara plays the sane/not so sane young woman and keeps us guessing throughout the movie.  Jude Law plays the earnest doctor just trying to help.

Lots of plot twists make this a bit hard to follow.  It seeks the knockout punch of Traffic but just lands a few blows.

* * * of 4

Rocky Horror Picture Show

After a symbolic deflowering in the front of the theater audience, I am no longer a Rocky Horror virgin.  To think that a movie that has been playing continuously since 1976 is one that I had never seen is hard to believe.  Perhaps it was the midnight show time.  But it is now done!

A cross between Frankenstein and the Producers, the Mel Brooks analogy is a marker in the time this movie was done in the mid 70s.  In fact Young Frankenstein is a good comparison as well, as are other semi serious/semi silly movies of that time: Pink Panther, Kentucky Fried Movie, all Mel Brooks as stated.

The live theater is what sets this apart from a normal movie.  During the show, a troupe of actors acted out the whole movie, calling dialogue, dressing the part.   The interactive nature also made it unique:  the props used such as (in this theater) glow sticks, toilet paper and so forth.  Some traditional props were strictly forbidden.  The dancing to the Time Warp was a good way to fight 1 a.m. fatigue.  Calling out all the dialogue made it twice as much to comprehend.

One refrain was "There's no plot".  That may be overstated:  Brad and Janet, just married, are trapped in a storm.  They knock on the door of a castle where they are drawn into a homoerotic ritual and feast.  The film is nararated by a criminologist and told in a series of flashbacks.

As its 70s predecesors, the satire and "campiness" so often associated with the movie makes it very appropriate for its time.  Not bad for 38 years later.

* * 1/2 of 4