Rear Window (1954)

There is a school of thought that all movie reviewing is inherently biographic - you like movies from your generation.  Therefore it is hard to put yourself back in the era when something was truly new and different.

Rear Window appears that it must have been new and different.  It is a stripped version, almost like a play.   James Stewart plays Jeff, laid up with a broken leg.  To ease his boredom, he has taken to watching out his Rear Window of a small apartment.

He's a bit of a conundrum, as he is more interested with what is going on out of the window than he is with the beautiful woman, Grace Kelly, who is right in front of him.  It's his girlfriend - of course she wants to be more but he pushes her away.

Watching out the window, there are several recurrent characters.

Miss Torso, who is young and in various states of undress.  But Jeff doesn't seem interested.

Miss Lonelyhearts, who has suitors but no steady man.

The Newlyweds who appears to be having fun out of sight.

The Songwriter, who is either alone or in a crowd.

The Salesman and his Wife, who have marital problems  Their story reminded me of a cartoon strip, seeing 4 boxes in a row and trying to complete the story.

At some point, Jeff starts to suspect that the Salesman has killed his wife, and starts concocting theories on what has occurred. His friend who is a detective, thinks he is amateurish and wrong.

Theories of voyeurism, sexual fantasy v. reality, breaking the fourth wall of the screen, participating in the movie, that's what might make this more than the basic story presented.  You've got to use your modern imagination to go back to the 50s when you couldn't just say or show the sex.   Perhaps that's why Alfred Hitchcock  was so admired.  He made something out of a little thing.

Simple but not too simple.

* * * of 4

Comparing this to Vertigo, which I recently saw, lends more connections of the sexuality of the time, contempt/violence toward women, voyeurism.  As well are common themes in North by Northwest and Psycho.  Maybe Hitchcock was a bit more sharp for him time than we modern people might like to credit him.

RoboCop (2014)

This blog started with a remake of the 80s movie Total Recall.  As remakes of 80s B
movies went, it was pretty good.  But as a strategy, not worth repeating.

Tell that to Hollywood which has doubled down on the strategy:  Footloose, About Last Night, Endless Love, Carrie and now RoboCop.  Perhaps there's a reason why I never saw it back in a year of otherwise good movies, 1987.

Joel Kinnaman (I know, right?) plays Detective Alex Hunter, a Man Barely Alive.  Lots of cues to The Bionic Man.  To get right into it, the human Alex is damaged by a car bomb.  He loses a leg, an arm, an eye.  But we can rebuild him.



Technology already exists for robotic fighters, but like drones, strictly forbidden on US soil.  The news hawks don't like that:  As the Samuel Jackson character, Bill O'Reilly-like asks:  "Why is America so robophobic?  [nice!]  If it weren't for that silly Dreyfus Act prohibiting it.

But the American Way demands that technology be monetized, damn the costs.  OmniCorp CEO played by a much welcomed back Michael Keaton requests that the robotic crime fighter be humanized, using all computerized technology available.  He make a good video game, first person shooter.  The consultant Maddox (Jackie Earl Haley- the best character) who believes that humanized robot is just not as good as a regular robot, tests him out in a nice shakedown scene.  Very Matrix-like.

It turns out you can make a Tin Man, but you can't take out the heart.   But this movie could use a little less tin, and a bit more heart.

*




Nebraska

Directed by Alexander Payne, this escapes the Middle-Age Loser movie to the land of Father/Son Conflicts.   With the father Woody (Bruce Dern) aging into dementia, the job of tending to him as he tries to walk to Nebraska falls to his younger son David (Will Forte) .  The older son Ross (Bob Odenkirk) is just getting some traction in his job and David is expedenable as a stereo salesman.

Did I mention Alexander Payne?  Lots of similarities to his other movies Election (backstabbing), the Descendants (family conflict) and Sideways (the Road Movie).

You'll first notice this was made in black and white, perhaps to wash out the background.  Compare to the other family drama of Mother/Daughter conflict August:  Osage County, where the cinematography was in ochre/sepia colors.  The better to focus on the character?

Woody gets a letter "Congratulations - You May Already Be a Winner" and gets it in his head that he IS the winner - he just needs to get to Lincoln, NE from Billings MT to do, conveniently along the interstates.  When he starts walking, his son says "I'll drive you".

They wind up in the small Nebraska town of Hamilton when Woody's and his family is from.  Word gets around that Woody is rich and everyone starts treating him differently, no matter what David tries to tell them to the contrary.

A good story about dividing up wealth, what might have been, and spending some time with an aging parent.
* * * of 4

Grand Budapest Hotel

Another good one from Wes Anderson starring Ralph Fiennes.  I liked Rushmore and this was similar - young man seeks to enter adult world by seeking powerful patron.

Ralph Fiennes plays Msr. Gustave who is the concierge at a Grand Hotel in Europe in the days of those hotels.  Newcomer Tony Revolori plays the aptly named Zero, the Lobby Boy.  As Zero learns the trade from Gustave, the two develop a father/son relationship

The setting in the 1930s era film has the Nazi threat ever present.  It makes light of this eve of war via its Vaudeville aspect.  You feel like you are watching a puppet show.  The puppetry aspect also adds to the Pinnochio-type storyline ... little boy becomes a man.

 My rating  * * * *

Here's a guest review of the movie by soon-to-be-famous young filmmaker Alexander Stockton.





Swingers (1996)

Here's an awesome oral history of the classic Swingers, starring Vince Vaughn and Jon Favreau when they were unknowns as hipsters trying to score chicks in L.A. in the 90s but wishing it was the 60s.



The lengths (via the short ends) that they went to make this movie was quite revealing.  "To make a movie, you need a little larceny in your heart".  Classic.  So Money!

Watching this again, I thought I was watching it out of order.  The Las Vegas scene was in the beginning, not the end.  And the golf and the answering machine was in the end, not the beginning.

The music made the movie - a lot more than I anticipated.  The swing band at the end - the house band at the Derby.

Lots of references to other movies:  Tarantino, Scoresce, but with some L.A. touches which were nice.  Somewhat derivative - very Seinfeld

* * *

August: Osage County

Take a dysfunctional family and add in a few doses of suicide, cancer, adultery, drug addiction and more and you've got a real star vehicle for Meryl Steep and Julie Roberts.  Could this get any more fun?

The movie based on a play wants to start with you down and keep you there.  From the dark curtains of the old house to the sepia tones, you're in for the long haul down with this family.  If you loved Cat on a Hot Tin Roof or Streetcar Named Desire or Who's Afraid of Virginia Wolfe you'll feel right at home.  If that's the kind of home you like to be in.

Julie Roberts plays Barbara who has come home to Oklahoma after her father has died of suicide.  Her mother Violet is drug-addled and takes out her frustrations on the family, Barb for "leaving", her other daughter Ivy for staying and Karen for whatever reason.  All of the daughter's mistakes in life are fair games for fighting.

The plot finally picks up once all the characters get introduced.  Cast included Benedict Cumberbatch, Abigail Breslin, Sam Shepard, Dermot Mulroney so its got a few things going for it.

* * 1/2

New movies on the 2014 List

Here's the To-Watch list for this year, courtesy of Entertainment Weekly:

2/7 Monuments Men


2/12 Robocop


3/21 Divergent


5/2  Amazing Spider Man 2


8/1  Get on Up (James Brown biopic)



10/3 Gone Girl  (Directed by David Fincher)



Trent Reznor to do soundtrack 

11/14  Dumb and Dumber To  (So you're saying there's a chance!)



11/21  Mockingjay, Part I   (Hunger Games part 3 of 4)